The Gilded Wolves opens in a late 1800s Paris imbued with magic. An established crew of diverse characters successfully has completed a series of missions and is, at the novel’s beginning, in the midst of another. In this world, certain people are adept at Forging, a sort of magical engineering, and a circle of Houses control the world. Each House represents a different facet of magic connected to fragments of the Tower of Babel.
The novel moves between several perspectives. Séverin, the leader of the crew, has been cast out of the wealth and power associated with his line, the House of Vanth. He was raised in a series of foster homes, each dominated by a father who represented one of the seven deadly sins. With him through his childhood was Tristan, his foster brother, who relied on Séverin’s strength to help him survive each home. Next is Laila, a seductive, mysterious, and skilled woman from India who maintains an alternate identity as L’Egnime. Then comes Zofia, a brilliant Forger and victim of anti-Semitism whose objective approach to her world, including insight into numerical patterns, points toward some positioning on the autism spectrum. From the Philippines, Enrique, the final member of the group, can’t Forge but who makes up for his lack of ability with a dedication to history that informs many of their missions.
Each character has a distinct goal through the narrative, separate from the treasure they seek together, and each has a signature characteristic that acts as a sort of flag through the novel: Séverin, for example, chews cloves, Tristan has a gigantic tarantula that horrifies his friends, and so on. While these traits set the characters apart, they do at times seem to stand in for deeper development of individual characters. In general, The Gilded Wolves, in comparison with Chokshi’s other works, relied more on explicit explanation, on telling more than showing. This was, I think, in service of the plot, and Chokshi certainly devoted space to characters’ back stories, but I found myself wishing that the characterization were more nuanced.
As in all heist narratives, certain plot points require great suspension of disbelief: characters are able to foretell other characters’ actions with great accuracy or make speculative leaps just in time to allow their plan to continue. I am, as I said, all in for heists, so I happily suspended my disbelief and just went with it. The book’s fast-moving, compelling plot centers on a series of McGuffins that lay the groundwork for the next novel but are ultimately unimportant in comparison to the group dynamics at the book’s center.
The strength of the central crew and the solid heist plot make up for some shortcuts in other elements of the book. Overall, therefore, I’d recommend The Gilded Wolves, which has magic and Paris and humor and romance and vivid historical touches . . . plenty of good content for this compelling, fun YA read.
A Note from Ashley, Jen, and Sara
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