Emma Lord's WHEN YOU GET THE CHANCE - A New Book from an Auto-Read Author
by Jen Moyers (@jen.loves.books)
When You Get the Chance is my second book by Emma Lord. (I loved You Have a Match [Bookshop.org | Libro.fm] and have Tweet Cute [Bookshop.org | Libro.fm] on my shelf to read ASAP.) Yes, she’s now an auto-read author for me.
This one focuses on Millie Cooper, a super-extroverted, self-described way-too-much actress who has big dreams of Broadway and has put in the work to make that a real possibility. After she learns that she’s gotten into an amazing pre-college program for her senior year, she’s ecstatic . . . until she shares the news with her dad and he’s decidedly NOT as ecstatic.
What ensues is Millie’s desperate attempt to actualize her dream into existence. First, she gets the help of her best friend and next door neighbor Teddy, an expert at geocaching and (as he says) human caching. Teddy does some research and, after the two delve into Millie’s dad’s LiveJournal from college (hello, the 90s!), begins unraveling the central secret of Millie’s life: her mother’s identity. When her dad was 20, Millie’s mother dropped her off with her dad, and that was the end of her mother’s involvement in her life. But Millie hopes that if she can find her birth mother, she’ll be on Team Millie and help convince her dad that moving across the country to this pre-college program is the right move.
The search for Millie’s mom leads to three likely candidates and the second part of Millie’s plan. She happens upon an internship with a Broadway management company where one potential mom candidate works. The only problem? Millie is vying for the internship with her nemesis: Oliver. Oliver is the manager of their fine arts school’s musical theater department, and he and Millie are *always* at odds with completely different visions for what the program should look like. So, when Georgie, the woman in charge of the internship, gives Millie and Oliver two weeks to compete and prove themselves before choosing a winner, it means that the mortal enemies have two weeks of forced collaboration, as well.
The setup is worthy of any Broadway musical, and references to shows—and especially Mamma Mia!—abound. For anyone who’s a fan of musicals, there are plenty of allusions here to feed your Broadway-loving soul. Sometimes, I have to work to get past premises like the “meeting-three-candidates-who-might-be-my-mom” kind of story, but when cast in the light of Broadway, I suspended my disbelief and just gave into the ride. Because Emma Lord has such a fabulous sense of character and because, in Millie, she created such an empathetic, realistic character, that ride is a great one. Though the plot here is so much fun, it’s watching Millie go through some pretty rough self-reflection that is the real strength of this book. Yes, there are beautiful friendships (seriously: this author REALLY understands friendship), some fun romance, and compellingly complex family dynamics (Millie’s relationships with her dad and her aunt Heather are strong anchors for the plot), but it’s Millie’s coming of age story that made me love this book so much.
Now, on to Tweet Cute.
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